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Home » Music Theory » Linking Chords *or* Why Are There So Many Songs With the Same Chords??

Linking Chords *or* Why Are There So Many Songs With the Same Chords??

Ben Blakesley

By Ben Blakesley
George’s Music

Am  -  G  -  F  -  G…
What song is that?

If you said “All Along the Watchtower,” you’re right!
If you said “Stairway to Heaven,” you’re right!
If you said “Don’t Fear the Reaper,” you’re right!
If you said you’re noticing a pattern here, you’re right!

Any musician who has been learning to play popular songs will start to notice that certain chords tend to stay together and be found over and over again.

There is a very good reason for this and can be explained with some simple music theory.  It’s all based on the key in which the song resides.

So how do you determine what key a song is in?  String along…

Major Keys

There are 12 Major Scales in Western music (we’ll stick to major keys for this example), one for each of the notes in the chromatic musical alphabet: C, C#, D, D#, E, etc, etc.

But each of these Major Scales follows the same pattern of intervals and includes the same configuration of Major, Minor, and Diminished chords.

The order is: Major, Minor, Minor, Major, Major, Minor, Diminished
In the music world, we use a Roman Numeral system where an upper case numeral indicates a Major Chord, a lower case indicates a Minor Chord, and lower case followed by ° indicates a Diminished Chord.

So the chords in a Major Scale can be represented as such:

I – ii – iii – IV – V – vi – vii° – I

Using that concept with the key of C Major, we can place each note of the scale over our Roman Numerals to extrapolate the chord that it creates

I – ii – iii – IV – V – vi – vii° – I
C – Dm – Em – F – G – Am – Bdim – C

So the reason that we so often see C, F, G, and Am together is because they are all in the same key.  And if we’re playing a song that stays in the key of C Major and is not breaking basic musical rules, it will only have C, Dm, Em, F, G, Am, or Bdim in it.

Minor Keys

Just like Major Keys, Minor Keys will follow a pattern that can be represented with Roman Numerals.
To make it even easier, you don’t have to learn a new pattern, you can simply use the same chords as the Major Key!  You see, every Major Key has what’s called a Relative Minor key associated with it.

The way you determine a Major Key’s Relative Minor is by located the iv chord in the key.

I – ii – iii – IV – V – vi – vii° – I
C – Dm – Em – F – G – Am – Bdim – C

In the key of C Major, the Relative Minor is Am.
If you’d like to play a song in Am, it’s going to contain the chords: Am – Bdim – C – Dm – Em – F – G; Just like the key of C Major!

But Mr. Ben, how can we tell if a song is in the key of Am or C major?
While there is no sure-fire way to determine this short of using your ears, there are a few clues you can be on the lookout for.  The number 1 indicator is the chord that starts or ends the song.  If it’s a C, then you’re in C major.  If it’s an Am, then you’re in Am.  For whatever key you’re in, the associated chord should feel and sound like ‘home’ when you get there.

The Chord Decoder Ring

Now that you’ve got the basics of chords and keys down, you should be able to easily identify what key a song is in based on the chords it includes.

As a reference, here is a list of some popular keys so that you can quickly see what chords are included in each of the keys (the relative minor is in bold):

I ii iii IV V vi vii° I
C Dm Em F G Am Bdim C
D Em F#m G A Bm Cdim D
E F#m G#m A B C#m D#dim E
F Gm Am Bb C Dm Edim F
G Am Bm C D Em F#dim G
A Bm C#m D E F#m G#m A
B C#m D#m E F# G#m A#m B

Ben Blakesley is in charge of Marketing and Technology at George’s Music and studied music, javelin throwing, and pizza consumption at the University of New Hampshire.

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13 Responses to “Linking Chords *or* Why Are There So Many Songs With the Same Chords??”

  1. Tom Mitchell says:

    Very informative well written I would love to see more of the same Thanks

    • admin says:

      Thanks Tom!
      Glad to be of assistance. Please let me know if you have any ideas for future topics.

      -Ben

  2. Steve Johnson says:

    I’m confused. You said that the relative minor of a key is the 4th chord in the key and said that in the key of C it would be Am which according to your first chart is the 6th chord in the key of C, and F is the 4th chord even though its a major.I thought maybe you ment the 4th minor but there isn’t a 4th minor.And on the chart below that chart ( The Chord Decoder Ring)the roman numerals have two iv’s one as a major IV ,and one as a minor iv. I don’t understand because I thought iv = 4 and vi = 6…..Thanks Steve

    • admin says:

      Hi Steve, thanks for pointing out my typo!
      The chart at the bottom did show a “iv” instead of “vi”
      I have corrected it.

      When thinking about relative minors, put the number 4 out of your head. The relative minor of a key will be the 6th chord.
      C –> Am
      G –> Em
      D –> Bm
      etc.

      Thanks for pointing that out and I hope it’s clearer now.
      Let me know if it’s still a bit murky….

      Ben

  3. Gary says:

    Good article , but your Roman Numeral for 6 is wrong. It’s not iv, it should be vi.

    • admin says:

      Hi Gary, thanks for pointing out my typo!
      The chart at the bottom did show a “iv” instead of “vi”
      I have corrected it.

      Ben

  4. Steve says:

    Hi Ben,
    Great article.. very clearly laid out.
    Steve

  5. The beat & how the chords are hit also determines how a song will sound. Take All Along The Watchtower Dylan played it one way & Hendrix same chords different sound. To Dylans credit he now plays it more in the style of Hendrix now.

  6. jim johnson says:

    Thanks for the theory lesson. It really helped!

  7. Rick says:

    I like this, thank you. It shows me why certain chords sounds good together.

  8. Jack McDermott says:

    Thanks for the timely article. I was just reviewing the logic behind the chords in a key with my teacher, Jeff Wassel at the Spring City store. George’s rocks online, but the true magic is in the stores. Doesn’t matter where you try it, but it better be George’s when you buy it.

  9. Ken Ledoux says:

    Great! Just what i was looking for! Any thing on alternating chord orders?

    • admin says:

      Glad you liked it, Ken. In direct response to your request on Facebook :-)
      I’ll make sure to do one soon on common chord sequences and patterns.

      -Ben

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